Computer Graphics

The Art & Science of Communicating through Type There are eight pages to our Typography section of the site; you are currently at the “Type Classification” page. Type Classifications \| Families & Fonts \| Typographic Terminology \| Legibility & Readability Selecting Type \| Refinements \| Dingbats, Special Characters & Drop Caps \| Choosing Alignment TYPEFACE CLASSIFICATION OVERVIEW The goal of typeface classification is to enable designers to select and relate type designs based on common properties. Unfortunately, no one has yet been able to agree on a standardized system. This is further confused by the release of new typeface designs which possesses features from a variety of classifications. However, here is a simple classification system.
	Garamond (1545) is a classic Oldstyle. Features include: - angled stress - modest angled serifs - bracketed serifs - very slight thick/thin contrast Other oldstyles are: Bembo, Caslon, Galliard, Goudy, Century.
	Bodoni (1788) is the first Modern. Features include: - vertical stress - flat hairline serifs - unbracketed serifs - extreme thick/thin contrast Other moderns are: Fenice, Firenze, Albaum, Modern No. 20.
	Rockwell is an example of Slab Serif (Egyptian). Features include: - no stress - slab serifs - unbracketed serifs - very little or no thick/thin contrast Other egyptians are: Lubalin, Alexandria, Stymie, Memphis.
	Verdana is an example of Sans Serif. Features include: - no stress - no serifs - very little or no thick/thin contrast Other sans serifs are: Universe, Avant Garde, Eras, Gill Sans, Futura, Arial, Helvetica.
	Decorative typefaces are meant for decoration only. This face is called Curlz.
	Script typefaces usually emulate different kinds of handlettering. This script typeface is called Script Bold.

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